The other day I was walking down Madison Avenue in New York, and happened to look up at just the right moment: I was directly under the AT&T (Sony) Building designed by Philip Johnson. I recognized the broken pediment immediately, and couldn’t take my eye off of the structure as I continued walking.

Philip Cortelyou Johnson (July 8, 1906 – January 25, 2005) was an instrumental American architect of the 20th century. Johnson studied philosophy and architecture at Harvard University and in 1932 became the director of the Museum of Modern Art’s Department of Architecture. He coauthored The International Style: Architecture Since 1922 (1932) which introduced the aesthetics of the Bauhaus to America. Johnson gained notoriety with his own residence in Connecticut, The Glass House (1949), as well as his collaboration with Mies van der Rohe on the Seagram Building. Johnson’s style emphasized scale, landscape, minimalism, and classical architectural details, and evolved from Modernist to Post-Modernist to anti-Post-Modernist.
The Glass House is a template of minimal structure, geometry and proportion:


The AT&T (Sony) Building in New York (1984), which remains a controversial postmodernist landmark:

The Lipstick Building (1986) and the unconventional Rockefeller Guest House (1949-1950), both in NYC:

(Images via The Glass House, PBS, galinsky)